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Now thru February
26
New.
Original. Local.
Developing works by local, regional
and national playwrights
"This is an event that now rivals any and all
other
artistic festivals
held in Jefferson County
in its scope and level of excellence."
-- P T Leader Feb 2011
Regional/National
Playwrights Plays-In-Progress
The Odyssey Charlie
Bethel
Diary of a M.A.D. Caregiver
D. Runyon Fleener
Man Catches Fish Gin
Hammond
more...
Local One-act Productions
Parrot Sandy Diamond
PRNYC Mark Rose
The Rug Richard Weston
more...
Local One-act Readings
Senior Street Show
Deborah Daline
Delayed For Weather
Steve Fetter
Dream Voyeur Jack
O'Connor
more...
Special Guest Artist Playwright Event
Acclaimed American playwright
Constance
Congdon
performs her new one-woman show
Is Sex
Possible?
more...
TeenLab at the
Festival
more...
"It's a strong trio [of plays], each entertaining and
thought-provoking in its own way... The dialogue
sizzles in PRNYC."
--
The Kitsap Sun says of the
one-act
productions
"'PRNYC
by Mark Rose is a taut well-rehearsed script... easily
rivaling the popular TV series 'Mad Men'... A
major triumph."
-- Steve Treacy,
posted
PT Leader website
Ticket and Pass
information
Event Calendar
Festival Accommodations
You can make comments or ask questions about any of our productions on
our Facebook page
 The
Playwrights Festival is generously sponsored
by
John L. Scott Real Estate -- Teresa Goldsmith
and by DRG Sound Solutions -- David R. Goldsmith
NEW this year -- PANEL DISCUSSION WITH
PLAYWRIGHTS -- "Writing for the solo performer"
Friday Feb 17 at 5:30 p.m.
in the Playhouse. Free.
There is a special focus in the
festival this year on writing for the solo
performer. Two of the
Plays-In-Progress are one-person shows.
One, "The Odyssey," will be performed in the
festival by the writer, Charlie Bethel.
Bethel is a seasoned adaptor of solo work to be
performed in his own unique style. "Diary
of a M.A.D. Caregiver" by D. Runyon Fleener will
be performed by local actress, Erin Lamb, so
that the playwright may concentrate on the
development of the text.
Our featured guest playwright,
Constance Congdon will
also be offering a performance of her new solo
work in development, "Is Sex Possible?.
These playwrights along with playwright/solo
artists Gin Hammond and Zhaleh Almaee will
participate in a panel discussion led by
Festival Dramaturg and KCPT Literary Manager,
Mara Lathrop. Following the hour long
panel, an informal reception will be held in the
lobby. This event is followed by the
Friday evening performance of the Festval's
One-act play
productions at 8:00 p.m.
Winners of the P T Arts Commission's
One-Act Play Competition
who are receiving world premiere full
productions
(Fri & Sat evenings, Sun matinees)
Parrot by Sandy Diamond
On the surface -- a slice of life
at closing time in a small-town post office. But when you
throw in a woman with a ticking package who doesn't say a word,
random poetical out bursts and even some break dancing, it's up
to the audience to guess what might happen next.
Girl
- Rosa Linda Davies
Wretch - Hewitt Brooks *
Old Woman - Marsha Goldman
Reporter - Peter Wiant
Psychiatrist - Michael Vicha
Ticker - Kelly McNees
Boy - Johnas Jonathan Stocking
Poet - Caleb Peacock
PRNYC by Mark Rose
A power struggle in a
high-pressure PR firm in New York city with the players trying
to use free-range chickens, Nelson Mandela and Bono to push a
new eco-tourism project. PRNYC is rated PG-13 for
language.
Myron
Mandelbaum - Hewitt Brooks *
Peter Riley - Michael Vicha
Wan Dershon - Peter Wiant
Heather Ingals - Kelly McNees
Melody Stark - Colleen Dobbin
The Rug by Richard Weston
A Kafkaesque drama about a man
who's trying to relax in his apartment when two dysfunctional
deliverymen show up with a rug. Things go from strange to
bizarre when they leave and a woman shows up without any clothes
on under her coat.
George - Hewitt Brooks *
Moving Man 1 - Peter Wiant
Moving Man 2 - Gary Dobbin
Woman - Colleen Dobbin
* Performing by Special Appearance
Agreement with Actors' Equity Association, the union of
professional actors and stage managers.

One-act productions directed by Angela Amos
Time: Two hours and fifteen minutes,
including two brief intermissions.
Ages: One of the plays -- PRNYC -- is
rated PG-13 for language.
Winners of the P T Arts Commission's
One-Act Play Competition
who are receiving staged readings
(Tuesday evenings)
Senior Street Show by Deborah
Daline
Think grandma's not worth much?
Think again! Senior Street Show takes the venerable
"Antiques Roadshow" and turns it on it's head, presenting us
with a loving satire
on family and the people who buy and sell
the ones dear to our hearts.
Ensemble Cast:
Judith Glass Collins
Liz Lindstrom
Maggie Clifford Hastings
David Hundhausen
David H. Schroeder
Sam Cavallaro
Russell Waddell
Dream Voyeur by Jack O'Connor
Jack O'Connor's Dream Voyeur
guides us through a twilight zone world
of crime and redemption, with a host of hard-boiled anti-heroes who are doing
whatever
they can just to get by -- even when their best isn't quite good
enough!
Cast
George: Russell Waddell
Pete: Sam Cavallaro
Davis: Judith Glass Collins
Morrison: David H. Schroeder
Doc: Richard Weston

Delayed For Weather by Steve Fetter
No bad food, long waits in line
or invasive TSA pat-downs in this airport,
where a chance
meeting with a kind stranger transforms
just another day of
waiting for your flight.
Come fly to Hawaii with us!
Cast
Robin: David Hundhausen
Madison: Maggie Clifford Hastings
One-Act readings directed by Zachary Hewell
"These plays are full of magic
for me. Yes, the magic of the stories, but also the magic
in the process of bringing a script to fruition. In this
case, we are in the early days, where a playwright gets to hear
the words that they've written -- possibly for the first time --
and suddenly everything changes. The play coughs,
breathes, and comes to life. The play evolves and grows up, and
eventually it stands proudly on it's own for all to see.
For me, taking those first steps in helping transition an idea
into a script into a living entity on stage is the greatest
magic of all."
Plays-In-Progress
by Regional and National Playwrights
The Odyssey by Charlie Bethel (bio)
(Week of Feb 12-18: Sun & Wed evenings, Sat
matinee)
Directed by Denise Winter.
Shipwrecks, cyclopses, sirens and sex goddesses; cannibalism,
death, loyalty and revenge. vSolo artist Charlie Bethel unpacks
it all for you in this retelling of Homer's epic tale of a
crafty hero trying to get home and the circumstances that
stretch him to his limit.
This play runs 90 minutes.
This work was originally commissioned last year by The Orlando
Shakespeare Theatre for the Harriett Lake Festival of New Plays,
receiving a workshop reading in November of 2011. It is
slated for a full production there February 14 thru March 17,
2013. Bethel and Artistic Director Denise Winter had
already been in discussion about this next solo project effort
when the commission was announced. This developmental workshop
in our festival will focus on incorporating script changes from
the November reading and a first look at how it will begin to
take shape in its staging.
Diary of a M.A.D. Caregiver by D.
Runyon Fleener (bio)
(Week of Feb 19-25: Sun & Wed evenings, Sat
matinee)
Directed by Mara Lathrop
Cast: Erin Lamb
"Diary of a M.A.D. Caregiver" by
D. Runyon Fleener began as a blog featuring the funny, sad and
sometimes just plain weird. Fleener took a seven-year
journey as the primary care giver to her aging parents.
Fleener performed a monologue based on her blog at last year's "Here,
There & Everywhere" program at KCPT. She's now
developing the material into a one-woman show. This
Play-in-Progress features Erin Lamb performing the role Fleener
plans to perform herself. Her approach is to give herself
distance from this very personal material and focus on the text.
Man Catches Fish by Gin Hammond (bio)
(Final week: Thursday and Sunday evenings, Feb 23 & 26)
Directed by Gin Hammond
Ensemble Cast: Michelle Hensel,
Eric Ray Anderson, and Melissa Topscher
"Man Catches Fish" is a fishing
tale told from a variety of perspectives, (including the
bait's), using a multiple performance genres, including
burlesque, clown, stand-up comedy, and classic dramatic
storytelling. Though we've already had a well-received
performance of two of the scenes at The Rendezvous in Seattle,
the piece is still in its nascence because it is a highly
collaborative piece and it has been extremely challenging for us
to gather in one place at the same time to put all of our ideas
to the test. This Festival is our cherished opportunity to
do just that, and we can't wait!
By the end of our week at KCPT,
our goal is to be able to explore, assemble, and perform each
element of the story in sequence, and hopefully have a piece
that will be ready to tour to international festivals, including
the Adelaide International Fringe Festival in Australia!
------------ Tickets and Passes ------------
Individual tickets are now on sale.
They are available online through our
Festival Calendar.
One-Act Productions (Fri & Sat evenings, Sun matinees)... $15.00
Constance Congdon performance... $20
All other Festival performances............ $10.00
Students at all performances.... $10.00
Full Festival
Calendar
Attendees of the 2012 Playwrights' Festival can save by getting
Playwrights' Festival
Passes.
------------
Playwrights' Festival Passes ------------
Festival Patron Pass — Unlimited
admissions to all events including Guest Playwright events — $75
Behind-the-Scenes Pass — Unlimited admissions to all
events (except Guest Playwright events) — $60
New Works Pass — One admission to any five events (except
Guest Playwright events) — $50
Renowned playwright Constance Congdon coming to KCPT

Internationally produced playwright and teacher Constance
Congdon offers three playwriting workshops in Port Townsend
as part of Key City Public Theatre's 16th Annual Playwrights'
Festival.
-- The first workshop, Saturday Feb 18, is sponsored by
the Port Townsend Arts Commission and is free and open to
the public.
-- The second, on Sunday Feb 19, is fee-based and is an
advanced follow-up to the first workshop.
-- Congdon will also teach a TeenLab Writing Workshop on
Saturday Feb 18, open to teens 13-19.
PERFORMANCE: "Is Sex
Possible?" -- Congdon, the author of more than 30 plays and a teacher and
playwright-in-residence at Amherst College in Massachusetts for
the past 19 years, will also perform her solo show, "Is Sex
Possible?" on Thursday Feb 16 at 7:00 p.m.
This
one-woman show is the featured guest playwright performance of
this year’s festival. Note that the show is rated PG-13 for
language, as one past audience member told her, "You should have
your mouth washed out with soap"
Time: 90 minutes. Includes audience
dialogue with the playwright about the work
and its next developmental steps.
PLAYWRIGHTS' LUNCHEON -- Please join us for a playwrights' luncheon
with Constance Congdon at noon on Friday Feb 17
at Alchemy Bistro & Wine Bar.
This lunch has limited seating, so reserve your spot by
calling the KCPT office at 360.379.0195 or clicking the link
below. This is a great opportunity to meet and chat with
Constance Congdon informally before the playwriting
workshops.
Grilled Cheese w/Imported Gruyere, Manchego,
Carmellized onions w/cup of our daily soup.
OR
House Made Pesto tossed with Fettuccine, Parmesan and
Pinenuts.
OR
Bowl of Seafood Chowder made to order w/ Fresh Local Clams,
Mussels,
Oysters, Salmon, and Calamari. Served
with a side salad.
All meals come with choice of Iced Tea, Soda, or Coffee
Cost per person is $18 (gratuity not included)
Congdon was last in residence at KCPT during the Northwest
premiere of her play "SO FAR: The Children of the Elvi," in
2007. This play remains a Port Townsend favorite for its
post-apocalyptic set mixed with her Shakespearean language.
(Congdon's full bio appears below.)
"I am so excited to have Congdon returning to Port Townsend to
share her knowledge and artistry with us," says KCPT Artistic
Director Denise Winter. "Tony Kushner, her friend and
fellow playwright, speaks of her 'intuitive understanding of the
theatricality of theater.' Local playwrights who took her
workshops in 2007 still talk about how much they were inspired
by her process."
Free workshop -- Saturday Feb 18
At the February 18 workshop at the city’s Cotton Building from
10 a.m. to 1 p.m., Congdon uses timed exercises and given
circumstances to give the aspiring writer a way to tap into
their imagination without the worry. Bring lots of paper,
writing implements and a willingness to let go. She emphasizes
that the students will come out of her workshops with plays not
just "entries in notebook limbo." Her instruction is geared to
all skill levels; preregistration is recommended. (Note that online
registration charges a 10% fee. To avoid this fee, e-mail
or call us as shown below.)
Advanced workshop -- Sunday Feb 19
The 4-hour Advanced Playwriting Intensive workshop on February
19 starts at 10 a.m. at the KCPT office at 1128 Lawrence St.
Attending the Feb 18 workshop is a prerequisite for the February
19 event. Congdon will also share advice on getting published
and lead a critique of the written exercises. The cost for the
advanced workshop is $75 for KCPT members and $85 for
non-members. Space is limited for this advanced workshop. (Note that online
registration charges a 10% fee. To avoid this fee, e-mail
or call us as shown below.)
TeenLab writing workshop -- Saturday Feb 18
Congdon will teach a special TeenLab workshop for students aged
13 – 19 on Saturday, Feb 18, 6 p.m. to 9 p.m. This workshop is
part of the KCPT TeenLab program in which student-artists write,
develop and perform their own material and is included for any
teen enrolled in the Festival TeenLab
session which runs Feb 6 – 26. The cost for Congdon’s teen
workshop alone is $45 for KCPT members or children of members
and $40 for KCPT Key Card holders. Non-members pay $55. The cost
for the full Festival TeenLab session
is $85 - $150 on a sliding scale. (Note that online
registration charges a 10% fee. To avoid this fee, e-mail
or call us as shown below.)
To register for any of these workshops,
e-mail
info@keycitypublictheatre.org or call 360-379-0195.
About Constance Congdon
There can be no greater theatre tribute than to be described as
“one of the best playwrights our country and our language has
ever produced." This accolade comes from another
of this country’s prominent theater artists, Tony Kushner
(“Angels in America”) in his introduction to Ms. Congdon’s
collection “Tales of the Lost Formicans and Other Plays.” Her
body of work includes more than 30 plays, three opera librettos
and eight plays for children, one of which was produced at the
Moscow Central Children’s Theatre.
“Tales of the Lost Formicans,” her 1988 tragicomedy, was
produced more than 200 times world-wide in cities as disparate
as Helsinki, Cairo, London, Tokyo, Hong Kong and New York. Ms.
Congdon's plays include Casanova and Dog Opera both produced at
the Joseph Papp Public Theater in New York. “A Mother,” starring
Olympia Dukakis, and a new verse version of Moliere’s play “The
Misanthrope,” were commissioned and produced by American
Conservatory Theater in San Francisco.
In 1999, her play “Lips” was commissioned by Steven Speilberg's
Dreamworks through Playwrights Horizons and was produced at
Primary Stages in New York. The Profile Theater in Portland,
Oregon devoted their entire 2000 season to her work. In 2007,
Key City Public Theatre produced her play “So Far, The Children
of the Elvi” for its Pacific Northwest Premiere, for which she
received both audience and critical acclaim.
Constance Congdon received her MFA in Playwrighting at the
University of Massachusetts in 1981. She is a strong believer in
America’s academic and nonprofit theaters, which she says play a
crucial role in “keeping new work alive.” She has won grants and
awards from the National Endowment for the Arts, the Rockefeller
Foundation, the W. Alton Jones Foundation, the Guggenheim
Foundation, the Arnold Weisberger Award, the Berilla Kerr Award
and The Helen Merrill Award. She is an alum of New Dramatists, a
member of PEN and the Dramatists Guild, and since 1993 has
taught playwriting at Amherst College in Massachusetts.
Artistic and Production Staff for the
Playwrights' Festival
Director for One-Act Productions: Angela
Amos
KCPT
Literary Manager/Dramaturg: Mara Lathrop
Director for One-Act Readings - Zachary Hewell
Director of The Odyssey - Denise Winter
Director of Diary of a M.A.D. Caregiver - Mara Lathrop
Director of Man Catches Fish - Gin Hammond
Set Designer - Abbie Greene
Scenic Artist - Terry Tennesen
Lighting Designer - Karen Anderson
Costume Designer - Amanda Steurer
Sound Designer - Adam Matthew
Choreographer - Kelly McNees
Stage Manager - Kana Okabe
About our visiting Plays-in-Progress playwrights
Charlie Bethel -- The Odyssey
Charlie
Bethel is a New York City actor and writer was most recently in
residence at KCPT last season to direct “Macbeth" for
Shakespeare-in-the Park. His theatre career has included work as
a director, producer, stage manager, electrician, milliner and
properties and set dressing artist all over the United States.
Theatres include: Orlando Shakespeare Theatre,
Trinity Repertiry Company, Trinity Ensemble, Cape May Stage,
Utah Shakespeare Festival, North Carolina Shakespeare Festival,
Illinois Shakespeare Festival, Econo-Art Theater Company, Red
Bones, Next Theater Company, Apple Tree, The Jungle Theater, The
Children’s Theatre Company, Hey City Stage, Minnesota Opera,
Guthrie Theatre, Opera Memphis, and Caliban Co. Mr.
Bethel is the creator and solo performance artist of
four critically acclaimed versions of “Beowulf,” “Gilgamesh,”
“Seven Poor Travelers” and “Tom Thumb or the Tragedy of
Tragedies.” He was recently featured in the History Channel
series, “Clash of the Gods,” as an expert on the Anglo-Saxon
epic poem “Beowulf.”
He is a native southerner and is a graduate of the North Carolina
School of the Arts and the South Carolina Governor’s School for
the Arts and Humanities.
D. Runyon Fleener -- Diary of a
M.A.D. Caregiver
D.
Runyon Fleener debuted an excerpt from her “Diary” for the
“Here, There & Everywhere” program of monologues by contemporary
women playwrights on KCPT's stage in March of 2011.
She was seen in performance on KCPT's mainstage as
Olimpia in "The Soup is Served," for which she received a "Best
Actress" honorable mention in the Kitsap Sun A & E Theatre
Awards. A veteran performer of new works and
plays-in-development, she appeared in the 15th Annual
Playwrights’ Festival as Susan in “Antarktikos,” in "Amusing
Frieda" for the 9th Annual Playwrights' Festival, and starred in
KCPT’s Pacific Northwest premieres of Gip Hoppe’s plays "Boyce &
Melinda’s Investment Strategies for the Post-Money World" and "A
New War."
Her most recent Seattle appearance was in Macha
Monkey Productions world premiere of "Thebes.” Other KCPT
appearances include "What the Butler Saw," "Working: The
Musical," "Where’s My Money," "Tartuffe," "The Search for Signs
of Intelligent Life in the Universe."
She has also appeared at The Paradise Theatre School
in productions of "Don Juan", "Ivanov", and in "The Exonerated."
By day, Denise is a textbook writer/editor and voiceover artist.
Gin Hammond -- Man Catches Fish
Gin Hammond directed the Footlight-Award winning play “The Westerbork
Serenade” which later traveled to the Netherlands, as well as
“Subprime! Inside the Heart of the Mortgage Meltdown,” a Seattle
Weekly "Pick of the Week." She received her MFA from the A.R.T.
at Harvard University/Moscow Art Theatre.
Ms. Hammond was last seen in the 15th Annual
Playwrights' Festival as Mary in “The Martyrdom of Washington
Booth.” She has performed nationally at The Guthrie, Arena
Stage, The Longwharf Theatre, Seattle’s ACT, The Pasadena
Playhouse, the ART, The Berkshire Theatre Festival and The
Studio Theatre in Washington D.C., where she won a Helen Hayes
Award for Outstanding Lead Actress for her performance of "The
Syringa Tree."
Internationally, she has performed in Russia,
Germany, Ireland, Scotland and England. Her voice(s) can be
heard on World of Warcraft, Halo 3 ODST, Super Granny, Cake
Mania, Westward, and Nancy Drew video games, a wide range of
industrials, audiobooks produced by Redwood and Cedar House
Audio, and Jim French’s Imagination Theater.
She currently resides in Bellevue with her husband,
where she writes, directs, teaches and performs.
Winning playwrights honored by PT Arts
Commission
A ceremony to honor the winning playwrights of the 2011 One
Act Play Competition was held Friday, January 27 at 5:30
p.m. at Key City Playhouse. The ceremony, hosted by the Port Townsend Arts
Commission, honored (from left to right in the photo)
Mark Rose, Steve Fetter, Sandy Diamond, Deborah Daline, and Jack
O'Connor. (Winning playwright Richard Weston not in photo.)
Kris Nelson made presentations to the writers, all of
whose works will be presented at the 16th Annual Playwrights’
Festival produced by Key City Public Theatre.
Short excerpts from selected plays were performed at the
ceremony, providing a sneak preview of the Festival, which runs
February 9 - 26.
This event was free and open to the public. Light refreshments
were served in the Playhouse lobby at an informal reception
for the playwrights.
The Playwrights’ Festival will include the six winning
one-act plays, workshop productions of three developing
full-length plays by Charlie Bethel, D. Runyon Fleener and Gin
Hammond and the Arts Commission’s annual playwriting workshops
with visiting national playwright Constance Congdon. Congdon
will perform her one-person play “Is Sex Possible?” at 7:00 p.m.
on Thursday February 16.
Playwrights'
Festival Accommodations: Special lodging prices
are available
by mentioning 'Key City Public Theatre'
at the following three hotels,
all centrally located to the Playwrights'
Festival events:
Bishop Victorian and Swan Hotels --
http://www.rainshadowproperties.com or 800-824-4738
The Old Consulate Inn --
http://www.oldconsulate.com or 800-300-6753
The Commanders Beach House --
http://www.commandersbeachhouse.com or 888-385-1778
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